Where is the shaken heart in ultimate i spy

And, it's nice to see Larry Bryggman in feature film. Intense and riveting story directed by Tony Scott. He is to be executed as a spy within twenty four hours. Redford must work against the agency in order to free his tortured comrade caught in the game of spying. Not a whole lot of action, but enough mind bending drama to go around. It was shown in - the same year the World Trade Center was attacked by terrorists.

No stranger to the machinations of the CIA's top echelon, Muir hones all his skills and irreverent manner in order to find a way to help Bishop. As he embarks on his mission,he recalls how he recruited and trained the young Bishop, at that time a sergeant in Vietnam, their turbulent times together as operatives.

The film was masterfully directed by Tony Scott. This is one of the best films I have ever seen especially for a spy thriller. It works at all levels. The story was suspenseful from beginning to end. It was fast paced and interesting from beginning to end. All major and minor characters were interesting. The film has a lot of intelligence in terms of the story and characters involved. The acting was also exceptional. Overall,the film simply works at all level for it was not simply a spy thriller but it also provides us an insight on how the CIA works and the insight on an emotional spy.

Highly recommended for movie viewers who desires intelligent action thrillers. Smilie's Game: Spy the Image tedg 23 November Scott uses a style of zooming in and out by jump cuts that he developed on his last film -- also about images and the intelligence community. Lots of cameras and binoculars here. When viewing that action, the cameras are hand-held. When watching the calm, controlling scenes at headquarters, we see them more statically as they are being videotaped, often spying through blinds.

Often the images have digital tags. It seems every combination was employed among the following: ground, interior of heli, interior of second heli, front of heli, heli POV, above heli. This by itself is self-referential when you notice how many of the 'ordinary' shots are from helis. There is also a clever self-reference in the casting. Pitt was hailed as the 'new Redford' when he appeared in 'Thelma and Louise,' by brother Ridley.

Then in 'River Runs' he was directed by Redford, in a Redfordlike role, underscoring the relationship. Here, he also is mentored, but in my opinion outacts Redford at every turn. I believe Scott intended to use Redford's limits as a tired actor to the advantage of this reference. Pitt has been working hard in relatively minor but challenging roles and the results show. The only real complaints are the clumsy plot mechanics: the last day before retirement -- a clear 24 hour to doom clock -- a wily and complete outwitting of the pencilnecks -- all the CIA analysts and technicians as outwittable dimmies -- a senior character says 'get everything we have on so and so' and 10 seconds later a secretary appears with the files in multiple copies -- a helicopter is shot down: it disappears behind the trees and then we see a fireball.

Fortunately we gloss over all that stuff. Couldn't in 'Enemy of the State. Haven't we seen Redford in this sort of thing before? He was much better in Three Days of the Condor than here. It's hard to think that in the span of 24 hours Brad Pitt's fate will be resolved in a farfetched way, but given the fact that this CIA agent played by Redford can accomplish so much in a cinematic day, outsmarting the same organization and colleagues he used to work with, it's a wonder the Agency can survive at all.

That there could be such dumb people employed by the government who will leave their badges and ID's laying around, could only happen in the minds of screenwriters Michael Frost Beckner and David Arata. What was the point of the Berlin rooftop scene, was Tony Scott trying his hand at a commercial for outdoor furniture? We only hope the character portrayed by Redford is living well as the security manager for a hotel in the Bahamas after his retirement and that Tom, the Brad Pitt character, is finally allowed to settle down in Sedona doing spiritual readings after all he goes through in this movie.

Poor guy, he must have gotten paid not too many millions to appear in this film. Fast thinking screenplay by Michael Frost Beckner and David Arata keeps the kinetic storyline on track with staccato editing by Christian Wagner and Dan Mindel's gleaming cinematography adds key to the plot at hand. Smartly directed by vet Tony Scott. Shown mainly through flashbacks regarding the relationship between Robert Redford and Brad Pitt.

When an operation goes wrong an agency wishes to give reason for the Chinese to execute Pitt whom is captured and tortured. Redford acts on behalf of Pitt and is questioned but underneath he is thinking beyond them. We learn that they met in Vietnam and were involved in many combat operations. Pitt became involved with a woman whom Redford viewed as bad news. While formula in structure the film is entertaining and directed with insight by Tony Scott who also made True Romance and The Hunger.

Here he does a war film that is a far cry to that overrated farce he made called Top Gun. Redford is clever in his dealings around the corrupt officials who are applying pressure. Pitt is seen mainly through torture segments but flashbacks broaden his back story. Catherine McCormack plays the mysterious woman involved with Pitt whom Redford cannot quite trust.

David Hemmings is a fine actor but wasted in a flat role. The film is well made visually but its message doesn't seem to be as played up as the action.

The result is an insightful and entertaining film at best. HotToastyRag 25 September The title of Spy Game is perfectly suited to the film; half of it is an action thriller, and the other half is a cheesy comedy.

If you watch the preview, you'll hear tons of one-liners flying back and forth between Robert Redford and his younger self, Brad Pitt. If you're chuckling, go ahead and rent it. If you think it's silly, skip this movie and stick to Three Days of the Condor. Bob and Brad are CIA agents; the former trained and taught the latter. The most memorable line from the film is when Brad gestures for Bob to go ahead in a shoot-out: "Age before beauty.

Let's face it, you're either a Robert Redford fan who thinks Brad Pitt is a young upstart, or you're a Brad Pitt fan who thinks Robert Redford should retire.

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