Who said homie dont play that
Log In. Select another language:. Please enter your email address: Submit. Powered by CITE. Know another quote from MacGruber? Don't let people miss on a great quote from the "MacGruber" movie - add it here! Add a Quote. Our favorite collection of Famous Movies ». David Fincher - Fight Club. John G. Avildsen - Damon became inspired, wondering "What if Paul were a clown?
Girl Crystal : Why'd you become a clown then? Homey: I guess it's because I got so much love to give. And it's part of my prison work release program. Homey: [Damon ad-libs] You scream in my ear again, big kid, it's gon' be me and you. Homey: Welcome all! Welcome to Home E. Where a kid can be a kid! Unless he gets on my damn nerves!
Homey: So remember, little childrens, do what The Man says: go out and buy yourself a box of new Homey-Wheats, the only cereal made from cookies, marshmallows, sugar cubes, and other nutritional pieces of candy. Now this is a cereal Homey can play! One night at Chez Whitey, Homey is about to enter and hobnob with his new snob friends, when his biggest fan tries to bring Homey to his senses. Has Homey lost his way? To be continued …. Chuckles: Just remember, one, Chuckles is the star of the show!
Two, Chuckles takes the hits and not Chuckles takes the laughs! And three Homey: And three, if Homey don't like it Homey: So little childrens, what did we learn if nothing else? Kids: That Homey don't play that! Homey: Very good! Now let's play hooky and get the hell outta here! To some degree, ILC drew on Laugh-In , but primarily, he demonstrates, the Wayanses idolized Richard Pryor, the boundary-smashing black comedian who, as the years proceed, feels more and more like a tear in the fabric of the universe.
Both ILC and Pryor succeeded by mercilessly lampooning black people for the entertainment of black people, with relatively little thirst for crossing over. The success of Sucka led some adventurous executives from Fox to contact Keenen about putting together his own show. And they did sound enthusiastic. But as the two-hundred-odd participants Peisner interviews for the book attest, his gestalt was what people responded to. Although this character became the quintessence of In Living Color , the show did not exclusively mine anger over race for its comedy.
Peisner does a wizardly job of turning the potentially dull machinations of backstage Hollywood into intriguing details by highlighting the personalities involved and distilling their aspirations and skirmishes down to their essence. But unfortunately, only a few performers get to appear multi-dimensional; everyone else seems to want more screen time and more money, not much else.
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